The Brimming Cup
CHAPTER I
SUNSET ON ROCCA DI PAPA
An Hour in the Life of Two Modern Young
People
April, 1909.
Lounging idly in the deserted little waiting-room was the usual
shabby, bored, lonely ticket-seller, prodigiously indifferent to
the grave beauty of the scene before him and to the throng of
ancient memories jostling him where he stood. Without troubling to
look at his watch, he informed the two young foreigners that they
had a long hour to wait before the cable-railway would send a car
down to the Campagna. His lazy nonchalance was faintly colored with
the satisfaction, common to his profession, in the discomfiture of
travelers.
Their look upon him was of amazed gratitude. Evidently they did
not understand Italian, he thought, and repeated his information
more slowly, with an unrecognizable word or two of badly pronounced
English thrown in. He felt slightly vexed that he could not make
them feel the proper annoyance, and added, "It may even be so late
that the signori would miss the connection for the last tramway car
back to Rome. It is a long walk back to the city across the
Campagna."
They continued to gaze at him with delight. "I've got to tip him
for that!" said the young man, reaching vigorously into a
pocket.
The girl's answering laugh, like the inward look of her eyes,
showed only a preoccupied attention. She had the concentrated
absent aspect of a person who has just heard vital tidings and can
attend to nothing else. She said, "Oh, Neale, how ridiculous of
you. He couldn't possibly have the least idea what he's done to
deserve getting paid for."
At the sound of her voice, the tone in which these words were
pronounced, the ticket-seller looked at her hard, with a bold,
intrusive, diagnosing stare: "Lovers!" he told himself
conclusively. He accepted with a vast incuriosity as to reason the
coin which the young foreigner put into his hand, and, ringing it
suspiciously on his table, divided his appraising attention between
its clear answer to his challenge, and the sound of the young man's
voice as he answered his sweetheart, "Of course he hasn't any idea
what he's done to deserve it. Who ever has? You don't suppose for a
moment I've any idea what I've done to deserve mine?"
The ticket-seller smiled secretly into his dark mustache. "I
wonder if my voice quivered and deepened like that, when I
was courting Annunziata?" he asked himself. He glanced up from
pocketing the coin, and caught the look which passed between the
two. He felt as though someone had laid hands on him and shaken
him. "Dio mio" he thought. "They are in the hottest of
it."
The young foreigners went across the tracks and established
themselves on the rocks, partly out of sight, just at the brink of
the great drop to the Campagna. The setting sun was full in their
faces. But they did not see it, seeing only each other.
Below them spread the divinely colored plain, crossed by the
ancient yellow river, rolling its age-old memories out to the sea,
a blue reminder of the restfulness of eternity, at the rim of the
weary old land. Like a little cluster of tiny, tarnished pearls,
Rome gleamed palely, remote and legendary.
The two young people looked at each other earnestly, with a
passionate, single-hearted attention to their own meaning,
thrusting away impatiently the clinging brambles of speech which
laid hold on their every effort to move closer to each other. They
did not look down, or away from each other's eyes as they strove to
free themselves, to step forward, to clasp the other's outstretched
hands. They reached down blindly, tearing at those thorny,
clutching entanglements, pulling and tugging at those tenuous,
tough words which would not let them say what they meant: sure,
hopefully sure that in a moment . . . now . . . with the next
breath, they would break free as no others had ever done before
them, and crying out the truth and glory that was in them, fall
into each other's arms.
The girl was physically breathless with this effort, her lips
parted, her eyebrows drawn together. "Neale, Neale dear, if I could
only tell you how I want it to be, how utterly utterly true
I want us to be. Nothing's of any account except that."
She moved with a shrugging, despairing gesture. "No, no, not the
way that sounds. I don't mean, you know I don't mean any
old-fashioned impossible vows never to change, or be any different!
I know too much for that. I've seen too awfully much unhappiness,
with people trying to do that. You know what I told you about my
father and mother. Oh, Neale, it's horribly dangerous, loving
anybody. I never wanted to. I never thought I should. But now I'm
in it, I see that it's not at all unhappiness I'm afraid of, your
getting tired of me or I of you . . . everybody's so weak and
horrid in this world, who knows what may be before us? That's not
what would be unendurable, sickening. That would make us unhappy.
But what would poison us to death . . . what I'm afraid of, between
two people who try to be what we want to be to each other . . . how
can I say it?" She looked at him in an anguish of endeavor, ". . .
not to be true to what is deepest and most living in us . . . that
would be the betrayal I'm afraid of. That's what I mean. No matter
what it costs us personally, or what it brings, we must be true to
that. We must!"
He took her hand in his silently, and held it close. She drew a
long troubled breath and said, "You do think we can always
have between us that loyalty to what is deep and living? It does
not seem too much to ask, when we are willing to give up everything
else for it, even happiness?"
He gave her a long, profound look. "I'm trying to give that
loyalty to you this minute, Marise darling," he said slowly, "when
I tell you now that I think it a very great deal to ask of life, a
very great deal for any human beings to try for. I should say it
was much harder to get than happiness."
She was in despair. "Do you think that?" She searched his face
anxiously as though she found there more than in his speech. "Yes,
yes, I see what you mean." She drew a long breath. "I can even see
how fine it is of you to say that to me now. It's like a promise of
how you will try. But oh, Neale, I won't want life on any
other terms!"
She stopped, looking down at her hand in his. He tightened his
clasp. His gaze on her darkened and deepened. "It's like sending me
to get the apples of Hesperides," he said, looking older than she,
curiously and suddenly older. "I want to say yes! It would be easy
to say yes. Darling, darling Marise, you can't want it more than I!
But the very intelligence that makes you want it, that makes me
want it, shows me how mortally hard it would be! Think! To be loyal
to what is deepest and most living in yourself . . . that's an
undertaking for a life-time's effort, with all the ups and downs
and growths of life. And then to try to know what is deepest and
most living in another . . . and to try . . . Marise! I will try. I
will try with all my might. Can anybody do more than try with all
his might?"
Their gaze into each other's eyes went far beyond the faltering
words they spoke. She asked him in a low voice, "Couldn't you do
more for me than for yourself? One never knows, but . . . what else
is love for, but to give greater strength than we have?"
There was a moment's silence, in which their very spirits met
flame-like in the void, challenging, hoping, fearing. The man's
face set. His burning look of power enveloped her like the
reflection of the sun. "I swear you shall have it!" he said
desperately, his voice shaking.
She looked up at him with a passionate gratitude. "I'll never
forget that as long as I live!" she cried out to him.
The tears stood in his eyes as in hers.
For the fraction of an instant, they had felt each other there,
as never before they had felt any other human being: they had both
at once caught a moment of flood-tide, and both together had been
carried up side by side; the long, inevitable isolation of human
lives from birth onward had been broken by the first real contact
with another human soul. They felt the awed impulse to cover their
eyes as before too great a glory.
The tide ebbed back, and untroubled they made no effort to stop
its ebbing. They had touched their goal, it was really there. Now
they knew it within their reach. Appeased, assuaged, fatigued, they
felt the need for quiet, they knew the sweetness of sobriety. They
even looked away from each other, aware of their own bodies which
for that instant had been left behind. They entered again into the
flesh that clad their spirits, taking possession of their hands and
feet and members, and taken possession of by them again. The
fullness of their momentary satisfaction had been so complete that
they felt no regret, only a simple, tender pleasure as of being
again at home. They smiled happily at each other and sat silent,
hand in hand.
Now they saw the beauty before them, the vast plain, the
mountains, the sea: harmonious, serene, ripe with maturity,
evocative of all the centuries of conscious life which had unrolled
themselves there.
"It's too beautiful to be real, isn't it?" murmured the girl,
"and now, the peaceful way I feel this minute, I don't mind it's
being so old that it makes you feel a midge in the sunshine with
only an hour or two of life before you. What if you are, when it's
life as we feel it now, such a flood of it, every instant brimming
with it? Neale," she turned to him with a sudden idea, "do you
remember how Victor Hugo's 'Waterloo' begins?"
"I should say not!" he returned promptly. "You forget I got all
the French I know in an American university."
"Well, I went to college in America, myself!"
"I bet it wasn't there you learned anything about Victor Hugo's
poetry," he surmised skeptically. "Well, how does it begin, anyhow,
and what's it got to do with us?"
The girl was as unamused as he at his certainty that it had
something to do with them, or she would not have mentioned it. She
explained, "It's not a famous line at all, nothing I ever heard
anybody else admire. We had to learn the poem by heart, when I was
a little girl and went to school in Bayonne. It starts out,
'Waterloo, Waterloo, morne plaine
Comme une onde qui bout dans une urne trop pleine,'
And that second line always stuck in my head for the picture it
made. I could see it, so vividly, an urn boiling over with the
great gush of water springing up in it. It gave me a feeling,
inside, a real physical feeling, I mean. I wanted, oh so awfully,
sometime to be so filled with some emotion, something great and
fine, that I would be an urn too full, gushing up in a great
flooding rush. I could see the smooth, thick curl of the water
surging up and out!"
She stopped to look at him and exclaim, "Why, you're listening!
You're interested. Neale, I believe you are the only person in the
world who can really pay attention to what somebody else says.
Everybody else just goes on thinking his own thoughts."
He smiled at this fancy, and said, "Go on."
"Well, I don't know whether that feeling was already in me,
waiting for something to express it, or whether that phrase in the
poem started it. But it was, for ever so long, the most important
thing in the world to me. I was about fourteen years old then, and
of course, being a good deal with Catholics, I thought probably it
was religious ecstasy that was going to be the great flood that
would brim my cup full. I used to go up the hill in Bayonne to the
Cathedral every day and stay there for hours, trying to work up an
ecstasy. I managed nearly to faint away once or twice, which was
something of course. But I couldn't feel that great tide I'd
dreamed of. And then, little by little . . . oh, lots of things
came between the idea and my thinking about it. Mother was . . .
I've told you how Mother was at that time. And what an unhappy time
it was at home. I was pretty busy at the house because she was away
so much. And Father and I hung together because there wasn't
anybody else to hang to: and all sorts of ugly things happened, and
I didn't have the time or the heart to think about being 'an urn
too full.'"
She stopped, smiling happily, as though those had not been
tragic words which he had just spoken, thinking not of them but of
something else, which now came out, "And then, oh Neale, that day,
on the piazza in front of St. Peter's, when we stood together, and
felt the spray of the fountains blown on us, and you looked at me
and spoke out. . . . Oh, Neale, Neale, what a moment to have
lived through! Well, when we went on into the church, and I knelt
there for a while, so struck down with joy that I couldn't stand on
my feet, all those wild bursts of excitement, and incredulity and
happiness, that kept surging up and drenching me . . . I had a
queer feeling, that awfully threadbare feeling of having been there
before, or felt that before; that it was familiar, although it was
so new. Then it came to me, 'Why, I have it, what I used to pray
for. Now at last I am the urn too full!' And it was true, I could
feel, just as I dreamed, the upsurging of the feeling, brimming
over, boiling up, brimming over. . . . And another phrase came into
my mind, an English one. I said to myself, 'The fullness of life.'
Now I know what it is."
She turned to him, and caught at his hand. "Oh, Neale, now I
do know what it is, how utterly hideous it would be to have
to live without it, to feel only the mean little trickle that seems
mostly all that people have."
"Well, I'll never have to get along without it, as long as I
have you," he said confidently.
"And I refuse to live a minute, if it goes back on me!"
she cried.
"I imagine that old folks would think we are talking very
young," suggested the man casually.
"Don't speak of them!" She cast them away into non-existence
with a gesture.
They sank into a reverie, smiling to themselves.
"How the fountains shone in the sun, that day," she murmured;
"the spray they cast on us was all tiny opals and diamonds."
"You're sure you aren't going to be sorry to go back to America
to live, to leave all that?" asked the man. "I get anxious about
that sometimes. It seems an awful jump to go away from such
beautiful historic things, back to a narrow little mountain
town."
"I'd like to know what right you have to call it narrow, when
you've never even seen it," she returned.
"Well, anybody could make a pretty fair guess that a small
Vermont town isn't going to be so very wide," he advanced
reasonably.
"It may not be wide, but it's deep," she replied.
He laughed at her certainty. "You were about eleven years old
when you saw it last, weren't you?"
"No, you've got it wrong. It was when we came to France to live
that I was eleven, and of course I stopped going to Ashley
regularly for vacations then. But I went back for several summers
in the old house with Cousin Hetty, when I was in America for
college, after Mother died."
"Oh well, I don't care what it's like," he said, "except that
it's the place where I'm going to live with you. Any place on earth
would seem wide enough and deep enough, if I had you there."
"Isn't it funny," she mused, "that I should know so much more
about it than you? To think how I played all around your uncle's
mill and house, lots of times when I was a little girl, and never
dreamed . . ."
"No funnier than all the rest of it," he demurred. "Once you
grant our existing and happening to meet out of all the millions of
people in the world, you can't think up anything funnier. Just the
little two-for-a-cent queerness of our happening to meet in Rome
instead of in Brooklyn, and your happening to know the town where
my uncle lived and owned the mill he left me . . . that can't hold
a candle for queerness, for wonderfulness, compared to my having
ever laid eyes on you. Suppose I'd never come to Rome at all? When
I got the news of Uncle Burton's death and the bequest, I was
almost planning to sail from Genoa and not come to southern Italy
at all."
She shook her head confidently. "You can't scare me with any
such hideous possibilities. It's not possible that we shouldn't
ever have met, both of us being in the world. Didn't you ever study
chemistry? Didn't they teach you there are certain elements that
just will come together, no matter how you mix them up with
other things?"
He made no answer, gazing out across the plain far below them,
mellowing richly in the ever-softening light of the sunset.
She looked doubtfully at his profile, rather lean, with the
beginning already drawn of the deep American line from the Corner
of the nose to the mouth, that is partly humorous and partly grim.
"Don't you believe that, Neale, that we would have come together
somehow, anyhow?" she asked, "even if you had gone straight back
from Genoa to Ashley? Maybe it might have been up there after you'd
begun to run the mill. Maybe I'd have gone back to America and gone
up to visit Cousin Hetty again."
He was still silent.
She said urgently, as if in alarm, "Neale, you don't believe
that we could have passed all our lives and never have seen
each other?"
He turned on her his deep-set eyes, full of tenderness and humor
and uncertainty, and shook his head. "Yes, dear, I do believe
that," he said regretfully. "I don't see how I can help believing
it. Why, I hadn't the faintest idea of going back to settle in
Ashley before I met you. I had taken Uncle Burton's mill and his
bequest of four thousand dollars as a sort of joke. What could I do
with them, without anything else? And what on earth did I want to
do with them? Nothing! As far as I had any plans at all, it was to
go home, see Father and Mother for a while, get through the legal
complications of inheritance, sell the mill and house . . . I
wouldn't have thought of such a thing as bothering even to go to
Ashley to look at them . . . and then take the money and go off
somewhere, somewhere different, and far away: to China maybe. I was
pretty restless in my mind, pretty sure that nothing in our
civilization was worth the candle, you know, before you arrived on
the scene to put everything in focus. And if I had done all that,
while you were still here in Rome, running up and down your scales,
honestly . . . I know I sound awfully literal . . . but I don't see
how we ever could have met, do you, dear?"
He offered her this, with a look half of apology, half of simple
courage.
She considered it and him seriously, studying his face and eyes,
listening retrospectively to the accent of his words, and immensely
astonished him by suddenly flashing a kiss on his cheek. "You're
miraculous!" she said. "You don't know how it feels; as though I'd
been floundering in a marsh, deeper and deeper, and then all at
once, when I thought I'd come to know there wasn't anything in the
world but marsh, to come out on beautiful, fine, clean
earth, where I feel the very strength of ages under my feet. You
don't know how good it seems to have a silly, romantic
remark like what I said, answered the way you did, telling the
truth; how good it feels to be pulled down to what's what,
and to know you can do it and really love me too."
He had been so startled and moved by her kiss that he had heard
her words but vaguely. "I don't seem to catch hold of all that.
What's it all about?"
"It's all about the fact that I really begin to believe that you
will be loyal and tell me the truth," she told him.
He saw cause for gravity in this, remembering the great moment
so shortly back of them, and said with a surprised and hurt accent,
"Didn't you believe me, when I said I would?"
She took up his hand in hers and said rapidly, "Dear Neale, I
did believe it, for just a moment, and I can't believe anything
good of anybody for longer than that, not really in my heart
of hearts. And it's my turn to tell you some truth when I tell you
about that unbelief, what I've hardly even ever told myself, right
out in words."
He was listening now, fixing on her a look of profound,
intelligent attention, as she went on, stumbling, reaching out for
words, discarding those she found, only her steady gaze giving
coherence to her statement. "You know, living the way I have . . .
I've told you . . . I've seen a great deal more than most girls
have. And then, half brought up in France with people who are
clever and have their eyes wide open, people who really count, I've
seen how they don't believe in humans, or goodness, or anything
that's not base. They know life is mostly bad and cruel and dull
and low, and above all that it's bound to fool you if you trust to
it, or get off your guard a single minute. They don't teach
you that, you know; but you see it's what they believe and what
they spend all their energies trying to dodge a little, all they
think they can. Then everything you read, except the silly little
Bibliothèque-Rose sort of thing, makes you know that it's
true . . . Anatole France, and Maupassant, and Schnitzler. Of
course back in America you find lots of nice people who don't
believe that. But they're so sweet you know they'd swallow anything
that made things look pleasant. So you don't dare take their word
for anything. They won't even look at what's bad in everybody's
life, they just pretend it's not there, not in their
husbands, or wives or children, and so you know they're fooled."
She lowered her voice, which faltered a little, but she still
continued to look straight into his eyes, "And as for love, why,
I've just hated the sound of the name and . . . I'm horribly afraid
of it, even now."
He asked her gravely, "Don't you love me? Don't you think that I
love you?"
She looked at him piteously, wincing, bracing herself with an
effort to be brave. "I must try to be as honest as I want you to
be. Yes, I love you, Neale, with all my heart a thousand times more
than I ever dreamed I could love anybody. But how do I know that
I'm not somehow fooling myself: but that maybe all that huge
unconscious inheritance from all my miserable ancestors hasn't
got me, somehow, and you too? How do I know that I'm not
being fooled by Nature and fooling you with fine words?"
She hesitated, probing deep into her heart, and brought out now,
like a great and unexpected treasure, "But, Neale, listen! I
don't think that about you! I don't believe you're being
fooled. Why, I believe in you more than in myself!" She was amazed
at this and radiant.
Then she asked him, "Neale, how do you manage about all
this? What do you feel about all the capacity for being low and
bad, that everybody has? Aren't you afraid that they'll get the
best of us, inevitably, unless we let ourselves get so dull, and
second-rate and passive, that we can't even be bad? Are you afraid
of being fooled? Do you believe in yourself at all?"
He was silent for some time, his eyes steadily fixed on some
invisible realm. When he spoke it was with a firm, natural,
unshaken accent. "Why, yes, I think it very likely that I am being
fooled all the time. But I don't think it matters the least bit in
the world beside the fact that I love you. That's big enough to
overtop everything else."
He raised his voice and spoke out boldly to the undefined
specter in her mind. "And if it's the mating instinct you mean,
that may be fooling both of us, because of our youth and bodily
health . . . good heavens! Isn't our love deep enough to absorb
that a million times over, like the water of a little brook flowing
into the sea? Do you think that, which is only a little
trickle and a harmless and natural and healthy little trickle,
could unsalt the great ocean of its savor? Why, Marise, all that
you're so afraid of, all that they've made you so afraid of, . . .
it's like the little surface waves . . . well, call it the big
storm waves if you want to . . . but nothing at all, the biggest of
them, compared to the stillness in the depths of the sea. Why, I
love you! Do I believe in myself? Of course I believe in myself,
because I have you."
She drew a long sigh and, closing her eyes, murmured, "I feel as
though I were lifted up on a great rock." After a moment, opening
her eyes, she said, "You are better than I, you know. I'm not at
all sure that I could say that. I never knew before that I was
weak. But then I never met strength before."
"You're not weak," he told her; adding quaintly, "maybe a little
overballasted; with brains and sensitiveness and under-ballasted
with experience, that's all. But you haven't had much chance to
take on any other cargo, as yet."
She was nettled at this, and leaving her slow, wide-winged poise
in the upper airs, she veered and with swallow-like swiftness
darted down on him. "That sounds patronizing and elder-brotherish,"
she told him. "I've taken on all sorts of cargo that you don't know
anything about. In ever so many ways you seem positively . . .
naïve! You needn't go thinking that I'm always highstrung and
fanciful. I never showed that side to anybody before, never! Always
kept it shut up and locked down and danced and whooped it up before
the door. You know how everybody always thinks of me as laughing
all the time. I do wish everything hadn't been said already so many
times. If it weren't that it's been said so often, I'd like to say
that I have always been laughing to keep from crying."
"Why don't you say it, if that is what you mean?" he
proposed.
She looked at him marveling. "I'm so fatuous about you!" she
exclaimed; "the least little thing you say, I see the most
wonderful possibilities in it. I know you'd say what you
meant, no matter how many thousands had said it before. And since I
know it's not stupidness in you, why, it seems to me just
splendidly and simply courageous, a kind of courage I'd never
thought of before. I see now, how, after all, those stupid people
had me beaten, because I'd always thought that a person either had
to be stupid so that he didn't know he was saying something
everybody else had said, or else not say it, even if he wanted to,
ever so much, and it was just what he meant."
"Don't you think maybe you're too much bothered about other
people, anyhow?" he suggested, mildly; "whether they're stupid or
have said things or not? What difference does it make, if it's a
question of what you yourself feel? I'd be just as satisfied if you
gave all your time to discovering the wonderful
possibilities in what I say. It would give me a chance to conceal
the fact that I get all out of breath trying to follow what you
mean."
This surprised her into a sudden laugh, outright and ringing. He
looked down at her sparkling face, brilliant in its mirth as a
child's, and said seriously, "You must instantly think of something
perfectly prosaic and commonplace to say, or I shall be forced to
take you in my arms and kiss you a great many times, which might
have Lord knows what effect on that gloomy-minded ticket-seller
back of us who already has his suspicions."
She rose instantly to the possibilities and said smoothly,
swiftly, whimsically, with the accent of drollery, "I'm very
particular about what sort of frying-pan I use. I insist on having
a separate one for the fritures of fish, and another for the
omelets, used only for that: I'm a very fine and conscientious
housekeeper, I'd have you know, and all the while we lived in
Bayonne I ran the house because Mother never got used to French
housekeeping ways. I was the one who went to market . . . oh, the
gorgeous things you get in the Bayonne market, near enough Spain,
you know, for real Malaga grapes with the aroma still on them, and
for Spanish quince-paste. I bossed the old Basque woman we had for
cook and learned how to cook from her, using a great many onions
for everything. And I learned how to keep house by the light of
nature, since it had to be done. And I'm awfully excited about
having a house of my own, just as though I weren't the extremely
clever, cynical, disillusioned, fascinating musical genius
everybody knows me to be: only let me warn you that the old house
we are going to live in will need lots done to it. Your uncle never
opened the dreadful room he called the parlor, and never used the
south wing at all, where all the sunshine comes in. And the pantry
arrangements are simply humorous, they're so inadequate. I don't
know how much of that four thousand dollars you are going to want
to spare for remodeling the mill, but I will tell you now, that I
will go on strike if you don't give me a better cook-stove than
your Uncle's Touclé had to work with."
He had been listening with an appreciative grin to her
nimble-witted chatter, but at this he brought her up short by an
astonished, "Who had? What had? What's that . . .
Touclé?"
She laughed aloud again, delighted at having startled him into
curiosity. "Touclé. Touclé. Don't you think it a
pretty name? Will you believe me when I say I know all about
Ashley?"
"Oh, go on, tell me!" he begged. "You don't mean to say that my
Uncle Benton had pep enough to have a scandal in his life?"
"What do you know about your uncle?"
"Oh, I'd seen him a few times, though I'd never been up to
Ashley. As long as Grandfather was alive and the mill at Adams
Center was running, Uncle Burton used to go there to see his
father, and I always used to be hanging around Grandfather and the
mill, and the woods. I was crazy about it all, as a boy, used to
work right along with the mill-hands, and out chopping with the
lumbermen. Maybe Uncle Burton noticed that." He was struck with a
sudden idea, "By George, maybe that was why he left me the
mill!" He cast his eye retrospectively on this idea and was silent
for a moment, emerging from his meditation to say, wonderingly,
"Well, it certainly is queer, how things come out, how one
thing hangs on another. It's enough to addle your brains, to try to
start to follow back all the ways things happen . . . ways you'd
never thought of as of the least importance."
"Your Uncle Burton was of some importance to us," she
told him. "Miss Oldham at the pension said that she had just
met a new American, down from Genoa, and when I heard your name I
said, 'Oh, I used to know an old Mr. Crittenden who ran a
wood-working factory up in Vermont, where I used to visit an old
cousin of mine,' and that was why Miss Oldham introduced us, that
silly way, as cousins."
He said, pouncingly, "You're running on, inconsequently, just to
divert my mind from asking you again who or what Touclé
is."
"You can ask and ask all you like," she defied him, laughing.
"I'm not going to tell you. I've got to have some secrets
from you, to keep up the traditions of self-respecting womanhood.
And anyhow I couldn't tell you, because she is different from
everything else. You'll see for yourself, when we get there. If
she's still alive." She offered a compromise, "I'll tell you what.
If she's dead, I'll sit down and tell you about her. If she's still
alive, you'll find out. She's an Ashley institution, Touclé
is. As symbolic as the Cumean Sybil. I don't believe she'll be
dead. I don't believe she'll ever be dead."
"You've let the cat out of the bag enough so I've lost my
interest in her," he professed. "I can make a guess that she's some
old woman, and I bet you I won't see anything remarkable in her.
Except that wild name. Is it Miss Touclé, or Mrs.
Touclé?"
The girl burst into laughter at this, foolish, light-hearted
mirth which drenched the air all about her with the perfume of
young gaiety. "Is it Miss Druid, or Mrs. Druid?" was all she would
say.
She looked up at him, her eyes shining, and cried between her
gusts of laughter, as if astonished, "Why, I do believe we are
going to be happy together. I do believe it's going to be fun to
live with you."
His appalled surprise that she had again fallen into the pit of
incredulity was, this time, only half humorous. "For God's sake,
what did you think!"
She answered, reasonably, "Well, nobody ever is happy together,
either in books or out of them. Of all the million, million
love-affairs that have happened, does anybody ever claim any one to
have been happy?"
His breath was taken away. He asked helplessly, "Well, why
are you marrying me?"
She replied very seriously, "Because I can't help myself, dear
Neale. Isn't that the only reason you're marrying me?"
He looked at her long, his nostrils quivering a little, gave a
short exclamation which seemed to carry away all his impatience,
and finally said, quietly enough, "Why, yes, of course, if that's
the way you want to put it. You can say it in a thousand thousand
different ways."
He added with a sudden fury, "And never one of them will come
anywhere near expressing it. Look here, Marise, I don't believe you
have the faintest, faintest idea how big this thing is. All these
fool clever ways of talking about it . . . they're just a screen
set up in front of it, to my mind. It's enough sight bigger than
just you or me, or happiness or unhappiness. It's the meaning of
everything!"
She considered this thoughtfully. "I don't believe I really know
what you mean," she said, "or anyhow that I feel what you
mean. I have had dreams sometimes, that I'm in something awfully
big and irresistible like a great river, flowing somewhere; but
I've never felt it in waking hours. I wish I could. It's lovely in
dreams. You evidently do, even awake."
He said, confidently, "You will, later on."
She ventured, "You mean, maybe, that I'm so shaken up by the
little surface waves, chopping back and forth, that I don't feel
the big current."
"It's there. Whether you feel it or not," he made final answer
to her doubt.
She murmured, "I wonder if there is anything in that silly,
old-fashioned notion that men are stronger than women, and that
women must lean on men's strength, to live?"
"Everybody's got to lean on his own strength, sooner or later,"
he told her with a touch of grimness.
"You just won't be romantic!" she cried admiringly.
"I really love you, Marise," he answered profoundly; and on this
rock-like assurance she sank down with a long breath of trust.
The sun was dipping into the sea now, emblazoning the sky with a
last flaming half-circle of pure color, but the light had left the
dusky edges of the world. Already the far mountains were dimmed,
and the plain, passing from one deep twilight color to another more
somber, was quietly sinking into darkness as into the strong loving
arms of ultimate dissolution.
The girl spoke in a dreamy twilight tone, "Neale dear, this is
not a romantic idea . . . honestly, I do wish we could both die
right here and never go down to the plain any more. Don't you feel
that? Not at all?"
His voice rang out, resonant and harsh as a bugle-note, "No, I
do not, not at all, not for a single moment. I've too much ahead of
me to feel that. And so have you!"
"There comes the cable-car, climbing up to get us," she said
faintly. "And we will go down from this high place of safety into
that dark plain, and we will have to cross it, painfully, step by
step. Dare you promise me we will not lose our way?" she
challenged him.
"I don't promise you anything about it," he answered, taking her
hand in his. "Only I'm not a bit afraid of the plain, nor the way
that's before us. Come along with me, and let's see what's
there."
"Do you think you know where we are going, across that plain?"
she asked him painfully; "even where we are to try to
go?"
"No, I don't know, now," he answered undismayed. "But I think we
will know it as we go along because we will be together."
The darkness, folding itself like a velvet mantle about the far
mountains, deepened, and her voice deepened with it. "Can you even
promise that we won't lose each other there?" she asked
somberly.
At this he suddenly took her into his arms, silently, bending
his face to hers, his insistent eyes bringing hers up to meet his
gaze. She could feel the strong throbbing of his heart all through
her own body.
She clung to him as though she were drowning. And indeed she
felt that she was. Life burst over them with a roar, a superb
flooding tide on whose strong swelling bosom they felt themselves
rising, rising illimitably.
The sun had now wholly set, leaving to darkness the old, old
plain, soaked with humanity.