The Brimming Cup
CHAPTER V
A LITTLE GIRL AND HER MOTHER
An Afternoon in the Life of Elly Crittenden,
aet. 8 Years
April 6.
Elly Crittenden had meant to go straight home from school as
usual with the other children, Paul and Mark, and Addle and Ralph
Powers. And as usual somehow she was ever so far behind them, so
far that there wasn't any use trying to catch up. Paul was hurrying
to go over and see that new old man next door, as usual. She might
as well not try, and just give up, and get home ever so late, the
way she always did. Oh well, Father wasn't at home, and Mother
wouldn't scold, and it was nice to walk along just as slow as you
wanted to, and feel your rubber boots squizzle into the mud. How
good it did seem to have real mud, after the long winter of
snow! And it was nice to hear the brooks everywhere, making that
dear little noise and to see them flashing every-which-way in the
sun, as they tumbled along downhill. And it was nice to smell that
smell . . . what was that sort of smell that made you know
the sugaring-off had begun? You couldn't smell the hot boiling sap
all the way from the mountain-sides, but what you did smell made
you think of the little bark-covered sap-houses up in the far
woods, with smoke and white steam coming out from all their cracks,
as though there was somebody inside magicking charms and making a
great cloud to cover it, like Klingsor or the witch-ladies in the
Arabian Nights. There was a piece of music Mother played, that was
like that. You could almost see the white clouds begin to come
streeling out between the piano-keys, and drift all around her. All
but her face that always looked through.
The sun shone down so warm on her head, she thought she might
take off her woolen cap. Why, yes, it was plenty warm enough. Oh,
how good it felt! How good it did feel! Like somebody
actually touching your hair with a warm, soft hand. And the air,
that cool, cool air, all damp with the thousand little brooks, it
felt just as good to be cool, when you tossed your hair and the
wind could get into it. How good it did feel to be
bare-headed, after all that long winter! Cool inside your hair at
the roots, and warm outside where the sun pressed on it. Cool wind
and warm sun, two different things that added up to make one lovely
feel for a little girl. The way your hair tugged at its roots, all
streaming away; every single little hair tied tight to your head at
one end, and yet so wildly loose at the other; tight, strong, firm,
and yet light and limber and flag-flapping . . . it was like being
warm and cool at the same time, so different and yet the same.
And there, underneath all this fluttering and tossing and
differences, there were your legs going on just as dumb and steady
as ever, stodge, stodge, stodge! She looked down at them with
interest and appreciation of their faithful, dutiful service, and
with affection at the rubber boots. She owed those to Mother. Paul
had scared her so, when he said, so stone-wally, the way Paul
always spoke as if that settled everything, that none of the
little girls at school wore rubber boots, and he thought Elly
oughtn't to be allowed to look so queer. It made him almost ashamed
of his sister, he said. But Mother had somehow . . . what
had she said to fix it? . . . oh well, something or other
that left her her rubber boots and yet Paul wasn't mad any
more.
And what could she do without rubber boots, when she
wanted to wade through a brook, like this one, and the brooks were
as they were now, all running spang full to the very edge with
snow-water, the way this one did? Oo . . . Ooh . . . Ooh! how queer
it did feel, to be standing most up to your knees this way, with
the current curling by, all cold and snaky, feeling the fast-going
water making your boot-legs shake like Aunt Hetty's old cheeks when
she laughed, and yet your feet as dry inside! How could they
feel as cold as that, without being wet, as though they were
magicked? That was a real difference, even more than the
wind cool inside your hair and the sun warm on the outside; or your
hair tied tight at one end and all wobbly loose at the other. But
this wasn't a nice difference. It didn't add up to make a nice
feeling, but a sort of queer one, and if she stood there another
minute, staring down into that swirly, snatchy water, she'd fall
right over into it . . . it seemed to be snatching at her!
Oh gracious! This wasn't much better! on the squelchy dead grass of
the meadow that looked like real ground and yet you sank right into
it. Oh, it was horridly soft, like touching the hand of that
new man that had come to live with the old gentleman next door. She
must hurry as fast as she could . . . it felt as though it was
sucking at her feet, trying to pull her down altogether like the
girl with the red shoes, and she didn't have any loaves of bread to
throw down to step on . . .
Well, there! this was better, as the ground started uphill.
There was firm ground under her feet. Yes, not mud, nor soaked,
flabby meadow-land, but solid earth, solid, solid! She
stamped on it with delight. It was just as nice to have solid
things very solid, as it was to have floaty things like
clouds very floaty. What was horrid was to have a thing that
looked solid, and yet was all soft, like gelatine pudding
when you touched it.
Well, for goodness' sake, where was she? Where had she come to,
without thinking a single thing about it? Right on the ridge
overlooking Aunt Hetty's house to be sure, on those rocks that hang
over it, so you could almost throw a stone down any one of the
chimneys. She might just as well go down and make Aunt Hetty a
visit now she was so near, and walk home by the side-road. Of
course Paul would say, nothing could keep him from saying, that she
had planned to do that very thing, right along, and when she left
the school-house headed straight for Aunt Hetty's cookie-jar. Well,
let him! She could just tell him, she'd never dreamed
of such a thing, till she found herself on those rocks.
She walked more and more slowly, letting herself down cautiously
from one ledge to another, and presently stopped altogether, facing
a beech tree, its trunk slowly twisted into a spiral because it was
so hard to keep alive on those rocks. She was straight in front of
it, staring into its gray white-blotched bark. Now if Mother
asked her, of course she'd have to say, yes, she had planned to,
sort of but not quite. Mother would understand. There wasn't
any use trying to tell things how they really were to Paul, because
to him things weren't ever sort-of-but-not-quite. They either were
or they weren't. But Mother always knew, both ways, hers and
Paul's.
She stepped forward and downward now, lightened. Her legs
stretched out to carry her from one mossed rock to another.
"Striding," that was what she was doing. Now she knew just what
"striding" meant. What fun it was to feel what a word meant!
Then when you used it, you could feel it lie down flat in the
sentence, and fit into the other words, like a piece in a jig-saw
puzzle when you got it into the right place. Gracious! How fast you
could "stride" down those rocks into Aunt Hetty's back yard!
Hello! Here at the bottom was some snow, a great big drift of it
still left, all gray and shrunk and honey-combed with rain and
wind, with a little trickle of water running away softly and
quietly from underneath it, like a secret. Well, think of there
being still snow left anywhere except on top of the
mountains! She had just been thinking all the afternoon how
good it seemed to have the snow all gone, and here she ran
right into some, as if you'd been talking about a person, saying
how sick and tired you were of everlastingly seeing him around, and
there he was, right outside the window and hearing it all, and
knowing it wasn't his fault he was still hanging on. You'd
feel bad to know he'd heard. She felt bad now! After all, the fun
the snow had given them, all that winter, sleighing and
snow-shoeing and ski-running and sliding downhill. And when she
remembered how glad she'd been to see the first snow, how
she and little Mark had run to the window to see the first flakes,
and had hollered, Oh goody, goody! And here was all there
was left, just one poor old forgotten dirty drift, melting away as
fast as it could, so's to get itself out of the way. She
stood looking down on it compassionately, and presently, stooping
over, gave it a friendly, comforting pat with one mittened
hand.
Then she was pierced with an arrow of hunger, terrible,
devouring starvation! Why was it she was always so much
hungrier just as she got out of school, than ever at meal-times?
She did hope this wouldn't be one of those awful days when Aunt
Hetty's old Agnes had let the cookie-jar get empty!
She walked on fast, now, across the back yard where the hens,
just as happy as she was to be on solid ground, pottered around
dreamily, their eyes half-shut up. . . . Elly could just think how
good the sun must feel on their feathers! She could imagine
perfectly how it would be to have feathers instead of skin and
hair. She went into the kitchen door. Nobody was there. She went
through into the pantry. Nobody there! Nobody, that is, except the
cookie-jar, larger than any other object in the room, looming up
like a wash-tub. She lifted the old cracked plate kept on it for
cover. Oh, it was full,—a fresh baking! And
raisins in them! The water ran into her mouth in a little gush. Oh
my, how good and cracklesome they looked! And how
beautifully the sugar sprinkled on them would grit against your
teeth as you ate it! Oh gracious!
She put her hand in and touched one. There was nothing that felt
like a freshly baked cookie; even through your mitten you could
know, with your eyes shut, it was a cookie. She took hold of
one, and stood perfectly still. She could take that, just as easy!
Nobody would miss it, with the jar so full. Aunt Hetty and Agnes
were probably house-cleaning, like everybody else, upstairs. Nobody
would ever know. The water of desire was at the very corners of her
mouth now. She felt her insides surging up and down in longing.
Nobody would know!
She opened her hand, put the cookie back, laid the plate on the
top of the jar, and walked out of the pantry. Of course she
couldn't do that. What had she been thinking of,—such a
stealy, common thing, and she Mother's daughter!
But, oh! It was awful, having to be up to Mother! She sniffed
forlornly and drew her mitten across her nose. She had
wanted it so! And she was just dying, she was so hungry. And
Mother wouldn't even let her ask people for things to eat.
Suppose Aunt Hetty didn't think to ask her!
She went through the dining-room, into the hall, and called
upstairs, "Aunt Hetty! Aunt Hetty!" She was almost crying she felt
so sorry for herself.
"Yis," came back a faint voice, very thin and high, the way old
people's voices sounded when they tried to call loud. "Up in the
east-wing garret."
She mounted the stairs heavily, pulling herself along by those
spindling old red balustrades, just like so many old laths,
noticing that her rubber boots left big hunks of mud on the
white-painted stairs, but too miserable to care.
The door to the east-wing garret was open. Aunt Hetty was there,
bossing Agnes, and they were both "dudsing," as Elly called it to
herself, leaning over trunks, disappearing in and out of closets,
turning inside out old bags of truck, sorting over, and, for all
Elly could see, putting the old duds back again, just where they
had been before. Grown-ups did seem to run round in circles, so
much of their time!
She sat down wearily on an ugly little old trunk near the door.
Aunt Hetty shut up a drawer in a dresser, turned to Elly, and said,
"Mercy, child, what's the matter? Has the teacher been scolding
you?"
"No, Aunt Hetty," said Elly faintly, looking out of the
window.
"Anybody sick at your house?" asked Aunt Hetty, coming towards
the little girl.
"No," said Elly, shaking her head.
"Don't you feel well?" asked Aunt Hetty, laying one wrinkled,
shaky old hand on her shoulder.
"No, Aunt Hetty," said Elly, her eyes large and sad.
"Maybe she's hungry," suggested Agnes, in a muffled voice from
the depths of a closet.
"Are you?" asked Aunt Hetty.
"YES," cried Elly.
Aunt Hetty laughed. "Well, I don't know if there are any cookies
in the house or not," she said, "we've been so busy house-cleaning.
Agnes, did you bake any cookies this morning?"
Elly was struck into stupor at this. Think of not knowing
if there were any cookies in the house!
Agnes appeared, tiny and old and stooped and wrinkled, like her
mistress. She had a big, rolled-up woolen-covered comforter in her
arms, over which she nodded. "Yes, I made some. You told me to make
some every Wednesday," she said. She went on, looking anxiously at
Aunt Hetty, "There ain't any moth-holes in this. Was this the
comfortable you meant? I thought this was the one you told me to
leave out of the camphor chest. I thought you told me . . ."
"You know where to find the cookies, don't you, Elly?" asked
Aunt Hetty, over her shoulder, trotting rapidly like a little dry,
wind-blown leaf, towards Agnes and the comforter.
"Oh yes, Aunt Hetty!" shouted Elly, halfway down the
stairs.
Aunt Hetty called after her, "Take all you want . . . three or
four. They won't hurt you. There's no egg in our recipe."
Elly was there again, in the empty pantry, before the
cookie-jar. She lifted the cracked plate again. . . . But, oh! how
differently she did feel now! . . . and she had a shock of pure,
almost solemn, happiness at the sight of the cookies. She had not
only been good and done as Mother would want her to, but she was
going to have four of those cookies. Three or four,
Aunt Hetty had said! As if anybody would take three if he was let
to have four! Which ones had the most raisins? She knew of course
it wasn't so very nice to pick and choose that way, but she
knew Mother would let her, only just laugh a little and say it was
a pity to be eight years old if you couldn't be a little
greedy!
Oh, how happy she was! How light she felt! How she floated back
up the stairs! What a perfectly sweet old thing Aunt Hetty was! And
what a nice old house she had, though not so nice as home, of
course. What pretty mahogany balusters, and nice white stairs! Too
bad she had brought in that mud. But they were house-cleaning
anyhow. A little bit more to clean up, that was all. And what
luck that they were in the east-room garret, the one that
had all the old things in it, the hoop-skirts and the shells and
the old scoop-bonnets, and the four-poster bed and those
fascinating old cretonne bags full of treasures.
She sat down near the door on the darling little old
hair-covered trunk that had been Great-grandfather's, and watched
the two old women at work. The first cookie had disappeared now,
and the second was well on the way. She felt a great appeasement in
her insides. She leaned back against the old dresses hung on the
wall and drew a long breath.
"Well," said Aunt Hetty, "you've got neighbors up your way, so
they tell me. Funny thing, a city man coming up here to live. He'll
never stick it out. The summer maybe. But that's all. You just see,
come autumn, if he don't light out for New York again."
Elly made no comment on this. She often heard her elders say
that she was not a talkative child, and that it was hard to get
anything out of her. That was because mostly they wanted to know
about things she hadn't once thought of noticing, and weren't a bit
interested when she tried to talk about what she had
noticed. Just imagine trying to tell Aunt Hetty about that poor old
gray snow-bank out in her woods, all lonely and scrumpled up! She
went on eating her cookie.
"How does he like it, anyhow?" asked Aunt Hetty, bending the
upper part of her out of the window to shake something. "And what
kind of a critter is he?"
"Well, he's rather an old man," said Elly. She added
conscientiously, trying to be chatty, "Paul's crazy about him. He
goes over there all the time to visit. I like him all right. The
old man seems to like it here all right. They both of them do."
"Both?" said Aunt Hetty, curving herself back into the room
again.
"Oh, the other one isn't going to live here, like Mr.
Welles. He's just come to get Mr. Welles settled, and to make him a
visit. His name is Mr. Marsh."
"Well, what's he like?" asked Aunt Hetty, folding
together the old wadded petticoat she had been shaking.
"Oh, he's all right too," said Elly. She wasn't going to say
anything about that funny softness of his hands, she didn't like,
because that would be like speaking about the snow-drift; something
Aunt Hetty would just laugh at, and call one of her notions.
"Well, what do they do with themselves, two great hulking
men set off by themselves?"
Elly tried seriously to remember what they did do. "I don't see
them, of course, much in the morning before I go to school. I guess
they get up and have their breakfast, the way anybody does."
Aunt Hetty snorted a little, "Gracious, child, a person needs a
corkscrew to get anything out of you. I mean all day, with no
chores, or farmin', or anything."
"I don't know," Elly confessed. "Mr. Clark, of course,
he's busy cooking and washing dishes and keeping house, but . .
."
"Are there three of them?" Aunt Hetty stopped her dudsing
in her astonishment. "I thought you said two."
"Oh well, Mr. Marsh sent down to the city and had this Mr. Clark
come up to work for them. He doesn't call him 'Mr.
Clark'—just 'Clark,' short like that. I guess he's Mr.
Marsh's hired man in the city. Only he can do everything in the
house, too. But I don't feel like calling him 'Clark' because he's
grown-up, and so I call him 'Mr. Clark.'" She did not tell
Aunt Hetty that she sort of wanted to make up to him for being
somebody's servant and being called like one. It made her mad and
she wanted to show he could be a mister as well as anybody. She
began on the third cookie. What else could she say to Aunt Hetty,
who always wanted to know the news so? She brought out, "Well,
I tell you, in the afternoon, when I get home, mostly old
Mr. Welles is out in his garden."
"Gardin!" cried Aunt Hetty. "Mercy on us, making garden
the fore-part of April. Where does he think he's living?
Florida?"
"I don't believe he's exactly making garden," said Elly. "He
just sort of pokes around there, and looks at things. And sometimes
he sits down on the bench and just sits there. He's pretty
old, I guess, and he walks kind of tired, always."
"Does the other one?" asked Aunt Hetty.
This made Elly sit up, and say very loud, "No, indeedy!"
She really hadn't thought before how very untired Mr. Marsh
always seemed. She added, "No, the other one doesn't walk tired,
nor he doesn't poke around in the garden. He takes long tramps way
back of the mountains, over Burnham way."
"For goodness' sakes, what's he find up there?"
"He likes it. He comes over and borrows our maps and things to
study, and he gets Mother to tell him all about everything. He gets
Touclé to tell him about the back trails, too."
"Well, he's a smart one if he can get a word out of
Touclé."
"Yes, he does. Everybody talks to him. You have to if he
starts in. He's very lively."
"Does he get you to talk?" asked Aunt Hetty, laughing at
the idea.
"Well, some," stated Elly soberly. She did not say that Mr.
Marsh always seemed to her to be trying to get some secret out of
her. She didn't have any secret that she knew of, but that
was the way he made her feel. She dodged him mostly, when she
could.
"What's the news from your father?"
"Oh, he's all right," said Elly. She fell to thinking of Father
and wishing he would come back.
"When's he going to get through his business, up there?"
"Before long, I guess. Mother said maybe he'd be back here next
month." Elly was aware that she was again not being talkative. She
tried to think of something to add. "I'm very much obliged for
these cookies," she said. "They are awfully good."
"They're the kind your mother always liked, when she was your
age," said Aunt Hetty casually. "I remember how she used to sit
right there on Father's hair-trunk and eat them and watch me just
like you now."
At this statement Elly could feel her thoughts getting bigger
and longer and higher, like something being opened out. "And the
heaven was removed as a scroll when it is rolled up." That sentence
she'd heard in church and never understood, and always wondered
what was behind, what they had seen when the scroll was rolled up.
. . . Something inside her now seemed to roll up as though she were
going to see what was behind it. How much longer time was than you
thought! Mother had sat there as a little girl . . . a little girl
like her. Mother who was now grown-up and finished, knowing
everything, never changing, never making any mistakes. Why, how
could she have been a little girl! And such a short time ago
that Aunt Hetty remembered her sitting there, right there, maybe
come in from walking across that very meadow, and down those very
rocks. What had she been thinking about, that other little girl
who had been Mother? "Why" . . . Elly stopped eating, stopped
breathing for a moment. "Why, she herself would stop being a little
girl, and would grow up and be a Mother!" She had always known
that, of course, but she had never felt it till that moment.
It made her feel very sober; more than sober, rather holy. Yes,
that was the word,—holy,—like the hymn. Perhaps some
day another little girl would sit there, and be just as surprised
to know that her mother had been really and truly a little
girl too, and would feel queer and shy at the idea, and all the
time her mother had been only Elly. But would she be
Elly any more, when she was grown up? What would have happened to
Elly? And after that little girl, another; and one before Mother;
and back as far as you could see, and forwards as far as you could
see. It was like a procession, all half in the dark, marching
forward, one after another, little girls, mothers, mothers and
little girls, and then more . . . what for . . . oh, what
for?
She was a little scared. She wished she could get right up and
go home to Mother. But the procession wouldn't stop . . .
wouldn't stop. . . .
Aunt Hetty hung up the last bag. "There," she said, "that's all
we can do here today. Elly, you'd better run along home. The sun'll
be down behind the mountain now before you get there."
Elly snatched at the voice, at the words, at Aunt Hetty's
wrinkled, shaking old hand. She jumped up from the trunk. Something
in her face made Aunt Hetty say, "Well, you look as though you'd
most dropped to sleep there in the sun. It does make a person feel
lazy this first warm March sun. I declare this morning I didn't
want to go to work house-cleaning. I wanted to go and spend the day
with the hens, singing over that little dozy ca-a-a-a they do, in
the sun, and stretch one leg and one wing till they most broke off,
and ruffle up all my feathers and let 'em settle back very slow,
and then just set."
They had started downstairs before Aunt Hetty had finished this,
the little girl holding tightly to the wrinkled old hand. How
peaceful Aunt Hetty was! Even the smell of her black woolen dresses
always had a quiet smell. And she must see all those hunks
of mud on the white stairs, but she never said a word. Elly
squeezed her hand a little tighter.
What was it she had been thinking about on the hair-trunk that
made her so glad to feel Aunt Hetty peaceful? Oh yes, that Mother
had been there, where she was, when she was a little girl. Well,
gracious! What of that? She'd always known that Mother had visited
Aunt Hetty a lot and that Aunt Hetty had been awfully good to her,
and that Mother loved Aunt Hetty like everything. What had made it
seem so queer, all of a sudden?
"Well," said Aunt Hetty at the front door, "step along now. I
don't want you should be late for supper." She tipped her head to
look around the edge of the top of the door and said, "Well, I
declare, just see that moon showing itself before ever the sun gets
down."
She walked down the path a little way with Elly, who still held
her hand. They stood together looking up at the mountain, very high
and blue against the sky that was green . . . yes, it really was a
pale, clear green, at the top of the mountain-line. People always
said the sky was blue, except at sunset-time, like now, when it was
filling the Notch right to the top with every color that could
be.
"The lilacs will begin to swell soon," said Aunt Hetty.
"I saw some pussy-willows out, today," answered Elly.
The old woman and the little girl lifted their heads, threw them
back, and looked up long into the sky, purely, palely high above
them.
"It's quite a sightly place to live, Crittenden's is," said Aunt
Hetty.
Elly said nothing, it being inconceivable to her that she could
live anywhere else.
"Well, good-bye," said Aunt Hetty. It did not occur to her to
kiss the little girl. It did not occur to Elly to want a kiss. They
squeezed their hands together a little bit more, and then Elly went
down the road, walking very carefully.
Why did she walk so carefully, she wondered? She felt as though
she were carrying a cup, full up to the brim of something. And she
mustn't let it spill. What was it so full of? Aunt Hetty's
peacefulness, maybe.
Or maybe just because it was beginning to get twilight. That
always made you feel as though something was being poured softly
into you, that you mustn't spill. She was glad the side-road was so
grass-grown. You could walk on it, so still, like this, and never
make a sound.
She thought again of Father and wished he would come home. She
liked Father. He was solid. He was solid like that solid
earth she liked so much to walk on. It was just such a comfort to
feel him. Father was like the solid ground and Mother was like the
floaty clouds. Why, yes, they were every way like what she
had been thinking about. . . . Father was the warm sun on the
outside, and Mother was the cool wind on the inside. Father was the
end that was tied tight and firm so you knew you couldn't
lose it, and Mother was the end that streamed out like flags in the
wind. But they weren't either of them like that slinky, swirly
water, licking at you, in such a hurry to get on past you and get
what it was scrambling to get, whatever that was.
Well, of all things! There was old Mr. Welles, coming towards
her. He must be out taking a walk too. How slowly he went!
And kept looking up the way she and Aunt Hetty had, at the sky and
the mountains. He was quite close now. Why . . . why, he didn't
know she was there. He had gone right by her and never even saw her
and yet had been so close she could see his face plainly. He must
have been looking very hard at the mountains. But it wasn't hard
the way he was looking, it was soft. How soft his face had looked,
almost quivery, almost. . . . But that was silly to think of . . .
almost as though he felt like crying. And yet all shining and
quiet, too, as if he'd been in church.
Well, it was a little bit like being in church, when you
could see the twilight come down very slow like this, and settle on
the tree-tops and then down through them towards you. You always
felt as though it was going to do something to you when it got to
you; something peaceful, like old Aunt Hetty.
She was at her own front path now, it was really almost dark.
Mother was playing the piano. But not for either of the boys. It
was grown-up music she was playing. Elly hesitated on the flagged
stones. Maybe she was playing for Mr. Marsh again. She advanced
slowly. Yes, there he was, sitting on the door-step, across the
open door, leaning back his head, smoking, sometimes looking out at
the sunset, and sometimes looking in towards the piano.
Elly made a wide circuit under the apple-trees, and went in the
side-door. Touclé was only just setting the table. Elly
would have plenty of time to get off her rubber boots, look up her
old felt slippers, and put them on before supper time. Gracious!
Her stockings were wet. She'd have to change them, too. She'd just
stay upstairs till Mr. Marsh went away. She didn't feel to talk to
him.
When out of her window she saw him step back across the grass to
Mr. Welles' house, Elly came downstairs at once. The light in the
living-room made her blink, after all that outdoor twilight and the
indoor darkness of her room upstairs.
Mother was still at the piano, her hands on the keys, but not
playing. At the sight of her, Elly's heart filled and brightened.
Her busy, busy thoughts stopped for the first time that day. She
felt as you do when you've been rowing a boat a long time and
finally, almost where you want to go, you stop and let her slide in
on her own movement, quiet and soft and smooth, and reach out your
hand to take hold of the landing-place. Elly reached out her arm
and put it around Mother's neck. She stood perfectly quiet. There
wasn't any need to be anything but quiet now you'd got to
where you were going.
She had been out on the rim of the wheel, all around and around
it, and up and down the spokes. But now she was at the center where
all the spokes ended.
She closed her eyes and laid her head on Mother's soft
shoulder.
"Did you have a good walk, all by yourself, dear?" asked
Mother.
"Oh yes, it was all right," said Elly.
"Your feet aren't wet, are they?"
"No," said Elly, "I took off my boots just as soon as I came in,
and changed my stockings."