It
happened sometimes when Edna went to see Mademoiselle Reisz that the little
musician was absent, giving a lesson or making some small necessary household
purchase. The key was always left in a secret hiding-place in the entry, which
Edna knew. If Mademoiselle happened to be away, Edna would usually enter and
wait for her return.
When she knocked at
Mademoiselle Reisz's door one afternoon there was no response; so unlocking the
door, as usual, she entered and found the apartment deserted, as she had
expected. Her day had been quite filled up, and it was for a rest, for a refuge,
and to talk about Robert, that she sought out her friend.
She had worked at her canvas
- a young Italian character study - all the morning, completing the work without
the model; but there had been many interruptions, some
incident to her modest housekeeping, and others of a social nature.
Madame Ratignolle had dragged
herself over, avoiding the too public thorough-fares, she said. She complained
that Edna had neglected her much of late. Besides, she was consumed with
curiosity to see the little house and the manner in which it was conducted. She
wanted to hear all about the dinner party; Monsieur Ratignolle had left
so early. What had happened after he left? The champagne and grapes which
Edna sent over were too delicious. She had so little appetite; they had
refreshed and toned her stomach. Where on earth was she going to put Mr.
Pontellier in that little house, and the boys? And then she made Edna promise to
go to her when her hour of trial overtook her.
"At any time - any time of
the day or night, dear," Edna assured her.
Before leaving Madame
Ratignolle said:
"In some way you seem to me
like child, Edna. You seem to act without a certain amount of reflection which
is necessary in this life. That is the reason I
want to say you mustn't mind if I advise you to be a little careful while you
are living here alone. Why don't you have some one come and stay with you?
Wouldn't Mademoiselle Reisz come?"
"No; she wouldn't wish to
come, and I shouldn't want her always with me."
"Well, the reason - you know
how evil-minded the world is - some one was talking of Alcée Arobin visiting
you. Of course, it wouldn't matter if Mr. Arobin had not such a dreadful
reputation. Monsieur Ratignolle was telling me that his attentions alone are
considered enough to ruin a woman's name."
"Does he boast of his
successes?" asked Edna, indifferently, squinting at her picture.
"No, I think not. I believe
he is a decent fellow as far as that goes. But his character is so well known
among the men. I shan't be able to come back and see you; it was very, very
imprudent to-day."
"Mind the step!" cried Edna."
"Don't neglect me," entreated
Madame Ratignolle; "and don't mind what I said
about Arobin, or having some one to stay with you."
"Of course not," Edna
laughed. "You may say anything you like to me." They kissed each other good-by.
Madame Ratignolle had not far to go, and Edna stood on the porch a while
watching her walk down the street.
Then in the afternoon Mrs.
Merriman and Mrs. Highcamp had made their "party call." Edna felt that they
might have dispensed with the formality. They had also come to invite her to
play vingt-et-un one evening at Mrs. Merriman's. She was asked
to go early, to dinner, and Mr. Merriman or Mr. Arobin would take her home. Edna
accepted in a half-hearted way. She sometimes felt very tired of Mrs. Highcamp
and Mrs. Merriman.
Late in the afternoon she
sought refuge with Mademoiselle Reisz, and stayed there alone, waiting for her,
feeling a kind of repose invade her with the very atmosphere of the shabby,
unpretentious little room.
Edna sat at the window, which
looked out over the house-tops and across the river.
The window frame was filled with pots of flowers, and she sat and picked the
dry leaves from a rose geranium. The day was warm, and the breeze which blew
from the river was very pleasant. She removed her hat and laid it on the piano.
She went on picking the leaves and digging around the plants with her hat pin.
Once she thought she heard Mademoiselle Reisz approaching. But it was a young
black girl, who came in, bringing a small bundle of laundry, which she deposited
in the adjoining room, and went away.
Edna seated herself at the
piano, and softly picked out with one hand the bars of a piece of music which
lay open before her. A half-hour went by. There was the occasional sound of
people going and coming in the lower hall. She was growing interested in her
occupation of picking out the aria, when there was a second rap at the door. She
vaguely wondered what these people did when they found Mademoiselle's door
locked.
"Come in," she called,
turning her face toward the door. And this time it was
Robert Lebrun who presented himself. She attempted to rise; she could not
have done so without betraying the agitation which mastered her at sight of him,
so she fell back upon the stool, only exclaiming,
"Why, Robert!"
He came and clasped her hand,
seemingly without knowing what he was saying or doing.
"Mrs. Pontellier! How do you
happen - oh! how well you look! Is Mademoiselle Reisz not here? I never expected
to see you."
"When did you come back?"
asked Edna in an unsteady voice, wiping her face with her handkerchief. She
seemed ill at ease on the piano stool, and he begged her to take the chair by
the window. She did so, mechanically, while he seated himself on the stool.
"I returned day before
yesterday," he answered, while he leaned his arm on the keys, bringing forth a
crash of discordant sound.
"Day before yesterday!" she
repeated, aloud; and went on thinking to herself,
"day before yesterday," in a sort of an uncomprehending way. She had pictured
him seeking her at the very first hour, and he had lived under the same sky
since day before yesterday; while only by accident had he stumbled upon her.
Mademoiselle must have lied when she said, "Poor fool, he loves you."
"Day before yesterday," she
repeated, breaking off a spray of Mademoiselle's geranium; "then if you had not
met me here to-day you wouldn't - when - that is, didn't you mean to come and
see me?"
"Of course, I should have
gone to see you. There have been so many things - " he turned the leaves of
Mademoiselle's music nervously. "I started in at once yesterday with the old
firm. After all there is as much chance for me here as there was there - that
is, I might find it profitable some day. The Mexicans were not very congenial."
So he had come back because
the Mexicans were not congenial; because business was as profitable here as
there, because of any reason, and not because he cared to be
near her. She remembered the day she sat on the floor, turning the pages of
his letter, seeking the reason which was left untold.
She had not noticed how he
looked - only feeling his presence; but she turned deliberately and observed
him. After all, he had been absent but a few months, and was not changed. His
hair - the color of hers - waved back from his temples in the same way as
before. His skin was not more burned than it had been at Grand Isle. She found
in his eyes, when he looked at her for one silent moment, the same tender
caress, with an added warmth and entreaty which had not been there before - the
same glance which had penetrated to the sleeping places of her soul and awakened
them.
A hundred times Edna had
pictured Robert's return, and imagined their first meeting. It was usually at
her home, whither he had sought her out at once. She always fancied him
expressing or betraying in some way his love for her. And here, the reality was
that they sat ten feet apart, she at the window, crushing geranium leaves in her
hand and smelling them, he twirling around on the piano stool, saying:
"I was very much surprised to
hear of Mr. Pontellier's absence; it's a wonder Mademoiselle Reisz did not tell
me; and your moving - mother told me yesterday. I should think you would have
gone to New York with him, or to Iberville with the children, rather than be
bothered here with housekeeping. And you are going abroad, too, I hear. We
shan't have you at Grand Isle next summer; it won't seem - do you see much of
Mademoiselle Reisz? She often spoke of you in the few letters she wrote."
"Do you remember that you
promised to write to me when you went away?" A flush overspread his whole face.
"I couldn't believe that my
letters would be of any interest to you."
"That is an excuse; it isn't
the truth." Edna reached for her hat on the piano. She adjusted it, sticking the
hat pin through the heavy coil of hair with some deliberation.
"Are you not going to wait
for Mademoiselle Reisz?" asked Robert.
"No; I have found when she is
absent this long, she is liable not to come back till late." She drew on her
gloves, and Robert picked up his hat.
"Won't you wait for her?"
asked Edna.
"Not if you think she will
not be back till late," adding, as if suddenly aware of some discourtesy in his
speech, "and I should miss the pleasure of walking home with you." Edna locked
the door and put the key back in its hiding-place.
They went together, picking
their way across muddy streets and sidewalks encumbered with the cheap display
of small tradesmen. Part of the distance they rode in the car, and after
disembarking, passed the Pontellier mansion, which looked broken and half torn
asunder. Robert had never known the house, and looked at it with interest.
"I never knew you in your
home," he remarked.
"I am glad you did not."
"Why?" She did not answer.
They went on around the corner, and it seemed as if her dreams were coming true
after all, when he followed her into the little house.
"You must stay and dine with
me, Robert. You see I am all alone, and it is so long since I have seen you.
There is so much I want to ask you."
She took off her hat and
gloves. He stood irresolute, making some excuse about his mother who expected
him; he even muttered something about an engagement. She struck a match and lit
the lamp on the table; it was growing dusk. When he saw her face in the
lamp-light, looking pained, with all the soft lines gone out of it, he threw his
hat aside and seated himself.
"Oh! you know I want to stay
if you will let me!" he exclaimed. All the softness came back. She laughed, and
went and put her hand on his shoulder.
"This is the first moment you
have seemed like the old Robert. I'll go tell Celestine." She hurried away to
tell Celestine to set an extra place. She even sent her off in search of some
added delicacy which she had not thought of for herself. And she recommended
great care in dripping the coffee and having the omelet done to a proper turn.
When she reëntered, Robert
was turning over magazines, sketches, and things that lay upon the table in
great disorder. He picked up a photograph, and exclaimed:
"Alcée Arobin! What on earth
is his picture doing here?"
"I tried to make a sketch of
his head one day," answered Edna, "and he thought the photograph might help me.
It was at the other house. I thought it had been left there. I must have packed
it up with my drawing materials."
"I should think you would
give it back to him if you have finished with it."
"Oh! I have a great many such
photographs. I never think of returning them. They don't amount to anything."
Robert kept on looking at the picture.
"It seems to me - do you
think his head worth drawing? Is he a friend of Mr. Pontellier's? You never said
you knew him."
"He isn't a friend of Mr.
Pontellier's; he's a friend of mine. I always knew him - that is, it is only of
late that I know him pretty well. But I'd rather talk about you,
and know what you have been seeing and doing and feeling out there in
Mexico." Robert threw aside the picture.
"I've been seeing the waves
and the white beach of Grande Isle; the quiet, grassy street of the
Chênière; the old fort at Grande Terre. I've been working like a
machine, and feeling like a lost soul. There was nothing interesting."
She leaned her head upon her
hand to shade her eyes from the light.
"And what have you been
seeing and doing and feeling all these days?" he asked.
"I've been seeing the waves
and the white beach of Grand Isle; the quiet, grassy street of the
Chênière Caminada; the old sunny fort at Grande Terre. I've been
working with a little more comprehension than a machine, and still feeling like
a lost soul. There was nothing interesting. "
"Mrs. Pontellier, you are
cruel," he said, with feeling, closing his eyes and resting his head back in his
chair. They remained in silence till old Celestine announced dinner.