Oh, Money! Money!
Chapter V
IN MISS FLORA'S ALBUM
It was the next afternoon that Mr. Smith inquired his way to the home of Miss
Flora Blaisdell. He found it to be a shabby little cottage on a side street.
Miss Flora herself answered his knock, peering at him anxiously with her
near-sighted eyes.
Mr. Smith lifted his hat.
"Good-afternoon, Miss Blaisdell," he began with a deferential bow. "I am
wondering if you could tell me something of your father's family." Miss Flora,
plainly pleased, but flustered, stepped back for him to enter.
"Oh, Mr. Smith, come in, come in! I'm sure I'm glad to tell you anything I
know," she beamed, ushering him into the unmistakably little-used "front room."
"But you really ought to go to Maggie. I can tell you some things, but Maggie's
got the Bible. Mother had it, you know, and it's all among her things. And of
course we had to let it stay, as long as Father Duff lives. He doesn't want
anything touched. Poor Maggie—she tried to get 'em for us; but, mercy! she
never tried but once. But I've got some things. I've got pictures of a lot of
them, and most of them I know quite a lot about."
As she spoke she nicked up from the table a big red plush photograph album.
Seating herself at his side she opened it, and began to tell him of the
pictures, one by one.
She did, indeed, know "quite a lot" of most of them. Tintypes, portraying
stiffly held hands and staring eyes, ghostly reproductions of daguerreotypes of
stern-lipped men and women, in old-time stock and kerchief; photographs of
stilted family groups after the "he-is-mine- and-I-am-his" variety; snap-shots
of adorable babies with blurred thumbs and noses—never had Mr. John Smith seen
their like before.
Politely he listened. Busily, from time to time, he jotted down a name or
date. Then, suddenly, as she turned a page, he gave an involuntary start. He was
looking at a pictured face, evidently cut from a magazine.
"Why, what—who—" he stammered.
"That? Oh, that's Mr. Fulton, the millionaire, you know." Miss Flora's hands
fluttered over the page a little importantly, adjusting a corner of the print.
"You must have seen his picture. It's been everywhere. He's our cousin, too."
"Oh, is he?"
"Yes, 'way back somewhere. I can't tell you just how, only I know he is. His
mother was a Blaisdell. That's why I've always been so interested in him, and
read everything I could—in the papers and magazines, you know."
"Oh, I see." Mr. John Smith's voice had become a little uncertain.
Yes. He ain't very handsome, is he?" Miss Flora's eyes were musingly fixed on
the picture before her—which was well, perhaps: Mr. John Smith's face was a
study just then.
"Er—n-no, he isn't."
"But he's turribly rich, I s'pose. I wonder how it feels to have so much
money."
There being no reply to this, Miss Flora went on after a moment.
"It must be awful nice—to buy what you want, I mean, without fretting about
how much it costs. I never did. But I'd like to."
"What would you do—if you could—if you had the money, I mean?" queried Mr.
Smith, almost eagerly.
Miss Flora laughed.
"Well, there's three things I know I'd do. They're silly, of course, but
they're what I WANT. It's a phonygraph, and to see Niagara Falls, and to go into
Noell's restaurant and order what I want without even looking at the prices
after 'em. Now you're laughing at me!"
"Laughing? Not a bit of it!" There was a curious elation in Mr. Smith's
voice. "What's more, I hope you'll get them—some time."
Miss Flora sighed. Her face looked suddenly pinched and old.
"I shan't. I couldn't, you know. Why, if I had the money, I shouldn't spend
it—not for them things. I'd be needing shoes or a new dress. And I COULDN'T be
so rich I wouldn't notice what the prices was—of what I ate. But, then, I don't
believe anybody's that, not even him." She pointed to the picture still open
before them.
"No?" Mr. Smith, his eyes bent upon the picture, was looking thoughtful. He
had the air of a man to whom has come a brand-new, somewhat disconcerting idea.
Miss Flora, glancing from the man to the picture, and back again, gave a
sudden exclamation.
"There, now I know who it is that you remind me of, Mr. Smith. It's him—Mr.
Fulton, there."
"Eh? What?" Mr. Smith looked not a little startled.
"Something about the eyes and nose." Miss Flora was still interestedly
comparing the man and the picture, "But, then, that ain't so strange. You're a
Blaisdell yourself. Didn't you say you was a Blaisdell?"
"Er—y-yes, oh, yes. I'm a Blaisdell," nodded Mr. Smith hastily. "Very likely
I've got the—er—Blaisdell nose. Eh?" Then he turned a leaf of the album
abruptly, decidedly. "And who may this be?" he demanded, pointing to the tintype
of a bright-faced young girl.
"That? Oh, that's my cousin Grace when she was sixteen. She died; but she was
a wonderful girl. I'll tell you about her."
"Yes, do," urged Mr. Smith; and even the closest observer, watching his face,
could not have said that he was not absorbedly interested in Miss Flora's story
of "my cousin Grace."
It was not until the last leaf of the album was reached that they came upon
the picture of a small girl, with big, hungry eyes looking out from beneath long
lashes.
"That's Mellicent—where you're boarding, you know—when she was little."
Miss Flora frowned disapprovingly. "But it's horrid, poor child!"
"But she looks so—so sad," murmured Mr. Smith.
"Yes, I know. She always did." Miss Flora sighed and frowned again. She
hesitated, then burst out, as if irresistibly impelled from within. "It's only
just another case of never having what you want WHEN you want it, Mr. Smith. And
it ain't 'cause they're poor, either. They AIN'T poor—not like me, I mean.
Frank's always done well, and he's been a good provider; but it's my
sister-in-law—her way, I mean. Not that I'm saying anything against Jane. I
ain't. She's a good woman, and she's very kind to me. She's always saying what
she'd do for me if she only had the money. She's a good housekeeper, too, and
her house is as neat as wax. But it's just that she never thinks she can USE
anything she's got till it's so out of date she don't want it. I dressmake for
her, you see, so I know—about her sleeves and skirts, you know. And if she ever
does wear a decent thing she's so afraid it will rain she never takes any
comfort in it!"
"Well, that is—unfortunate."
"Yes, ain't it? And she's brought up that poor child the same way. Why, from
babyhood, Mellicent never had her rattles till she wanted blocks, nor her blocks
till she wanted dolls, nor her dolls till she was big enough for beaus! And
that's what made the poor child always look so wall-eyed and hungry. She was
hungry—even if she did get enough to eat."
"Mrs. Blaisdell probably believed in—er—economy," hazarded Mr. Smith.
"Economy! My stars, I should think she did! But, there, I ought not to have
said anything, of course. It's a good trait. I only wish some other folks I
could mention had more of it. There's Jim's wife, for instance. Now, if she's
got ten cents, she'll spend fifteen—and five more to show HOW she spent it. She
and Jane ought to be shaken up in a bag together. Why, Mr. Smith, Jane doesn't
let herself enjoy anything. She's always keeping it for a better time. Though
sometimes I think she DOES enjoy just seeing how far she can make a dollar go.
But Mellicent don't, nor Frank; and it's hard on them."
"I should say it might be." Mr. Smith was looking at the wistful eyes under
the long lashes.
"'T is; and 't ain't right, I believe. There IS such a thing as being too
economical. I tell Jane she'll be like a story I read once about a man who
pinched and saved all his life, not even buying peanuts, though he just doted on
'em. And when he did get rich, so he could buy the peanuts, he bought a big bag
the first thing. But he didn't eat 'em. He hadn't got any teeth left to chew 'em
with."
"Well, that was a catastrophe!" laughed Mr. Smith, as he pocketed his
notebook and rose to his feet. "And now I thank you very much, Miss Blaisdell,
for the help you've been to me."
"Oh, you're quite welcome, indeed you are, Mr. Smith," beamed Miss Blaisdell.
"It's done me good, just to talk to you about all these folks and pictures. I we
enjoyed it. I do get lonesome sometimes, all alone, so! and I ain't so busy as I
wish I was, always. But I'm afraid I haven't helped you much—just this."
"Oh, yes, you have—perhaps more than think," smiled the man, with an odd
look in his eyes.
"Have I? Well, I'm glad, I'm sure. And don't forget to go to Maggie's, now.
She'll have a lot to tell you. Poor Maggie! And she'll be so glad to show you!"
"All right, thank you; I'll surely interview—Miss Maggie," smiled the man in
good-bye.
He had almost said "poor" Maggie himself, though why she should be POOR
Maggie had come to be an all-absorbing question with him. He had been tempted
once to ask Miss Flora, but something had held him back. That evening at the
supper table, however, in talking with Mrs. Jane Blaisdell, the question came
again to his lips; and this time it found utterance.
Mrs. Jane herself had introduced Miss Maggie's name, and had said an
inconsequential something about her when Mr. Smith asked:—
"Mrs. Blaisdell, please,—may I ask? I must confess to a great curiosity as
to why Miss Duff is always 'poor Maggie.'"
Mrs. Blaisdell laughed pleasantly.
"Why, really, I don't know," she answered, "only it just comes natural,
that's all. Poor Maggie's been so unfortunate. There! I did it again, didn't I?
That only goes to show how we all do it, unconsciously."
Frank Blaisdell, across the table, gave a sudden emphatic sniff.
"Humph! Well, I guess if you had to live with Father Duff, Jane, it would be
'poor Jane' with you, all right!"
"Yes, I know." His wife sighed complacently.
"Father Duff's a trial, and no mistake. But Maggie doesn't seem to mind."
"Mind! Aunt Maggie's a saint—that's what she is!" It was Mellicent who
spoke, her young voice vibrant with suppressed feeling. "She's the dearest thing
ever! There COULDN'T be anybody better than Aunt Maggie!"
Nothing more was said just then, but in the evening, later, after Mellicent
had gone to walk with young Pennock, and her father had gone back down to the
store, Mrs. Blaisdell took up the matter of "Poor Maggie" again.
"I've been thinking what you said," she began, "about our calling her 'poor
Maggie,' and I've made up my mind it's because we're all so sorry for her. You
see, she's been so unfortunate, as I said. Poor Maggie! I've so often wished
there was something I could do for her. Of course, if we only had money—but we
haven't; so I can't. And even money wouldn't take away her father, either. Oh,
mercy! I didn't mean that, really,—not the way it sounded," broke off Mrs.
Blaisdell, in shocked apology. "I only meant that she'd have her father to care
for, just the same."
"He's something of a trial, I take it, eh?" smiled Mr. Smith.
"Trial! I should say he was. Poor Maggie! How ever she endures it, I can't
imagine. Of course, we call him Father Duff, but he's really not any relation to
us—I mean to Frank and the rest. But their mother married him when they were
children, and they never knew their own father much, so he's the father they
know. When their mother died, Maggie bad just entered college. She was eighteen,
and such a pretty girl! I knew the family even then. Frank was just beginning to
court me.
"Well, of course Maggie had to come home right away. None of the rest wanted
to take care of him and Maggie had to. There was another Duff sister then—a
married sister (she's died since), but SHE wouldn't take him, so Maggie had to.
Of course, none of the Blaisdells wanted the care of him—and he wasn't their
father, anyway. Frank was wanting to marry me, and Jim and Flora were in school
and wanted to stay there, of course. So Maggie came. Poor girl! It was real hard
for her. She was so ambitious, and so fond of books. But she came, and went
right into the home and kept it so Frank and Jim and Flora could live there just
the same as when their mother was alive. And she had to do all the work, too.
They were too poor to keep a girl. Kind of hard, wasn't it?—and Maggie only
eighteen!"
"It was, indeed!" Mr. Smith's lips came together a bit grimly.
"Well, after a time Frank and Jim married, and there was only Flora and
Father Duff at home. Poor Maggie tried then to go to college again. She was over
twenty-one, and supposed to be her own mistress, of course. She found a place
where she could work and pay her way through college, and Flora said she'd keep
the house and take care of Father Duff. But, dear me; it wasn't a month before
that ended, and Maggie had to come home again. Flora wasn't strong, and the work
fretted her. Besides, she never could get along with Father Duff, and she was
trying to learn dressmaking, too. She stuck it out till she got sick, though,
then of course Maggie had to come back."
"Well, by Jove!" ejaculated Mr. Smith.
"Yes, wasn't it too bad? Poor Maggie, she tried it twice again. She persuaded
her father to get a girl. But that didn't work, either. The first girl and her
father fought like cats and dogs, and the last time she got one her father was
taken sick, and again she had to come home. Some way, it's always been that way
with poor Maggie. No sooner does she reach out to take something than it's
snatched away, just as she thinks she's got it. Why, there was her father's
cousin George—he was going to help her once. But a streak of bad luck hit him
at just that minute, and he gave out."
"And he never tried—again?"
"No. He went to Alaska then. Hasn't ever been back since. He's done well,
too, they say, and I always thought he'd send back something; but he never has.
There was some trouble, I believe, between him and Father Duff at the time he
went to Alaska, so that explains it, probably. Anyway, he's never done anything
for them. Well, when he gave out, Maggie just gave up college then, and settled
down to take care of her father, though I guess she's always studied some at
home; and I know that for years she didn't give up hope but that she could go
some time. But I guess she has now. Poor Maggie!"
"How old is she?"
Why, let me see—forty-three, forty-four—yes, she's forty-five. She had her
forty-third birthday here—I remember I gave her a handkerchief for a birthday
present—when she was helping me take care of Mellicent through the pneumonia;
and that was two years ago. She used to come here and to Jim's and Flora's days
at a time; but she isn't quite so free as she was—Father Duff's worse now, and
she don't like to leave him nights, much, so she can't come to us so often.
See?"
"Yes, I—see." There was a queer something in Mr. Smith's voice. "And just
what is the matter with Mr. Duff?"
"Matter!" Mrs. Jane Blaisdell gave a short laugh and shrugged her shoulders.
"Everything's the matter—with Father Duff! Oh, it's nerves, mostly, the doctor
says, and there are some other things—long names that I can't remember. But, as
I said, everything's the matter with Father Duff. He's one of those men where
there isn't anything quite right. Frank says he's got so he just objects to
everything—on general principles. If it's blue, he says it ought to be black,
you know. And, really, I don't know but Frank's right. How Maggie stands him I
don't see; but she's devotion itself. Why, she even gave up her lover years ago,
for him. She wouldn't leave her father, and, of course, nobody would think of
taking HIM into the family, when he wasn't BORN into it, so the affair was
broken off. I don't know, really, as Maggie cared much. Still, you can't tell.
She never was one to carry her heart on her sleeve. Poor Maggie! I've always so
wished I could do something for her!
"There, how I have run on! But, then, you asked, and you're interested, I
know, and that's what you're here for—to find out about the Blaisdells."
"To—to—f-find out—" stammered Mr. Smith, grown suddenly very red.
"Yes, for your book, I mean."
"Oh, yes—of course; for my book," agreed Mr. Smith, a bit hastily. He had
the guilty air of a small boy who has almost been caught in a raid on the cooky
jar.
"And although poor Maggie isn't really a Blaisdell herself, she's nearly one;
and they've got lots of Blaisdell records down there— among Mother Blaisdell's
things, you know. You'll want to see those."
"Yes; yes, indeed. I'll want to see those, of course," declared Mr. Smith,
rising to his feet, preparatory to going to his own room.